Burns podcast episode that features interviews with the artist and some of Michael Friedman's new post-apocalyptic pop score: Mr. Burns, a Post-Electric Play is the sort of once-in-a-blue-moon show that stays stuck in your brain long after it has chilled you to the bone."Ĭheck out our Mr.
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"As inexhaustibly original as the animated series that inspired it, the kookily brilliant Mr. BURNS was originally commissioned by The Civilians Burns is an animated exploration of how the pop culture of one era might evolve into the mythology of another. A paean to live theater, and to the resilience of Bart Simpson through the ages, Mr. When the grid fails, society crumbles, and were faced with the task of rebuilding? Anne Washburns imaginative dark comedy propels us forward nearly a century, following a new civilization stumbling into its future. What will endure when the cataclysm arrives. Morris, Colleen Werthmann, Sam Breslin Wright Pictured: Quincy Tyler Bernstine, Susannah Flood, Gibson Frazier, Matthew Maher, Nedra McClyde, Jennifer R. Morris, Colleen Werthmann, Sam Breslin Wright.Photos by Joan Marcus, taken at Playwrights Horizons 20)Ĭast: Quincy Tyler Bernstine, Susannah Flood, Gibson Frazier, Matthew Maher, Nedra McClyde, Jennifer R. Venue: Playwrights Horizons, New York (runs through Oct. Burns, a Post Electric-Play never quite lives up to the potential of its anarchic premise. Morris, Colleen Werthmann and Sam Breslin Wright-handles the material’s unique demands with tremendous skill and versatility. The endless digressions, including an admittedly very funny riff on the aesthetic appeal of Pret a Manger sandwiches, only serve to emphasize the bloated nature of the proceedings.Ĭosson’s staging is consistently inventive Neil Patel’s multi-faceted sets feature many clever touches and the eight-person ensemble- Quincy Tyler Bernstine, Susannah Flood, Gibson Frazier, Matthew Maher, Nedra McClyde, Jennifer R.
But despite its undeniable ambition, the bizarre play is more wearisome than entertaining or thought-provoking. It’s certainly an audacious and thematically imaginative concept. Other cultural touchstones referenced include the classic screen thriller The Night of the Hunter and The Mikado, with a rendition of “Three Little Maids” prominently figuring in the action. It’s all very dizzying and necessarily dependent both on a reasonable familiarity with both the Scorsese film and the long-running animated series. Burns, the villainous nuclear power plant owner, for the episode’s original villain, Sideshow Bob. But this version inevitably differs in significant ways from the original, including the substitution of Mr.
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Set another 75 years later, the final segment is a full reenactment of Cape Feare, this time performed as a combination Greek tragedy/musical pageant featuring original songs by Michael Friedman and the cast wearing masks suggesting the classic animated characters. Their entertainment also includes elaborately choreographed renditions of such popular hits as “Single Ladies,” “La Vida Loca,” “Eye of the Tiger” and “Who Let the Dogs Out?” The proceedings are interrupted by a shocking, violent shootout leading to an intermission. The next segment takes place seven years later, when the group has formed a motley theater company performing Simpsons episodes, complete with commercials, in an abandoned warehouse. Their comic riffing, including a very funny vocalization of the haunting Cape Fear theme music, is interrupted by the arrival of an interloper, with whom they trade names of the disaster’s survivors. A ragtag group of survivors huddles in the woods, rehashing their memories of the classic Simpsons episode featuring the villainous character who gives the play its title. The three-act play begins in the near future, when an apparent meltdown of nuclear plants has resulted in the loss of electrical power and the near-decimation of the population. The play’s theme is a common one for the inventive theater company The Civilians ( Gone Missing, This Beautiful City), who developed it originally and whose artistic director Steve Cossonhas staged the piece.
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Tony Awards Preshow to Be Streamed by Pluto TV
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